‘the clouds flew round with the clouds’ – new version for chamber orchestra

I’m in the process of making a chamber orchestra version of the clouds flew round with the clouds, a short piece originally for cello and electronic sounds. This is for a nonclassical concert on 15 April with Southbank Sinfonia conducted by Gerry Cornelius at Ambika P3. The concert is dominated by new and recent music by Gabriel Prokofiev alongside various other interesting pieces. There is a full programme and more information here.

My piece was originally written as a gift for Oliver Coates’ 30th birthday and was released on his debut album with PRAH; the beautiful and evocatively titled Towards the blessed islands. The piece is a gradually transforming opening two bars of Chopin’s Nocturne in B Major (Op.62 No.1) performed by Lívia Rév (thanks to Hyperion for letting me use this short sample) and a cello part that evolves, in three sections, from solo line to four part chorale (with the help of a curved bow).

I’ve never orchestrated an existing work before. I’m taking some pleasure in exploring new changing parameters for the orchestra part to compliment the gradual transformations in the original and in trying to find an equivalent sound in the orchestra for the to the extreme retuning of the cello. I’m also enjoying a score that, given it’s an adaption of a solo cello line, has some of the simplicity and transparency that characterises much of the chamber orchestra music I love (that’s the aspiration anyway).

While it’s on my mind I thought I’d relink a video recording of Olly playing the original live in Manchester back in 2013.

And share the poem that provided the title:

The Pleasures of Merely Circulating
by Wallace Stevens

The garden flew round with the angel,
The angel flew round with the clouds,
And the clouds flew round and the clouds flew round
And the clouds flew round with the clouds.

Is there any secret in skulls,
The cattle skulls in the woods?
Do the drummers in black hoods
Rumble anything out of their drums?

Mrs. Anderson’s Swedish baby
Might well have been German or Spanish,
But that things go round and again go round
Has rather a classical sound.

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