I’m very happy that my new solo flute piece The dance along the artery is going to be premiered by flutist extraordinaire Kathryn Williams at the 2nd International Dalcroze Conference tomorrow alongside a second performance and her presentation of a joint paper partially on the process of writing and collaborating on this. Rather dauntingly this piece is being premiered alongside Kathryn’s interpretation of Brian Ferneyhough’s monolithic solo flute work Unity Capsule.
The piece marks the start of a collaborative project exploring how observing and learning about The Dalcroze Method might inform an approach to composition as well as examining how Kathryn has employed the method in complex repertoire and music than has elements of parametric decoupling.
The piece has, at its core, a very simple physical limitation; it only features fingerings that either use all the fingers, all the fingers of the left hand, all the fingers of right hand or no fingers at all. This has led to a surprising palette of pitches (more, given the range of harmonics and some multiphonics, than I might have expected initially). As part of the trajectory of the piece it has been fun to have some sections in which Kathryn has to battle with the instrument to pick out potentially problematic pitches, and at other points allows the fingering, embouchure, dynamic and embouchure indications to suggest the pitches (which are not specified).
It has, in some respects, been (for me) a refreshingly different approach to writing a short piece and I’m looking forward to being able to post a recording soon and developing the set and the related writing.